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'The French Dispatch' is a love letter to 'The New Yorker' — and to love itself

Art critic J.K.L. Berensen (Tilda Swinton) lectures in The French Dispatch.

Wes Anderson's meticulously-constructed tenth feature adopts the format of a New Yorker-like Sunday magazine supplement to tell three very different, but equally idiosyncratic, love stories.

(Image credit: Searchlight Pictures/Twentieth Century Fox)



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'The French Dispatch' is a love letter to 'The New Yorker' — and to love itself 'The French Dispatch' is a love letter to 'The New Yorker' — and to love itself Reviewed by Ansar Raza on October 20, 2021 Rating: 5

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